The Scourge of The Dark Side...Tolkien and Modernism

[dreeness]

In "The Violence of the Fantasy" Slavoj Žižek said (emphasis added):

It goes to Gilbert Keith Chesterton’s credit that a century ago he spelled out the properly perverse nature of the way Christianity relates to paganism; he turns around the standard (mis)perception according to which the ancient pagan attitude is that of the joyful assertion of life, while Christianity imposes a sombre order of guilt and renunciation. It is, on the contrary, the pagan stance that is deeply melancholic: Even if it preaches a pleasurable life, it is in the mode of “enjoy it while it lasts, because, at the end, there is always death and decay.” The message of Christianity is, on the contrary, that of infinite joy beneath the deceptive surface of guilt and renunciation: The outer ring of Christianity is a rigid guard of ethical abnegations and professional priests; but inside that inhuman guard you will find the old human life dancing like children, and drinking wine like men; for Christianity is the only frame for pagan freedom. (Chesterton, 1995, p. 164) Is not Tolkien’s Lord of the Rings the ultimate proof of this paradox? Only a devout Christian could have imagined such magnificent pagan universe, thereby confirming that paganism is the ultimate Christian dream. Perhaps this is why the conservative Christian critics who recently expressed their concern at how books and movies like Lord of the Rings or the Harry Potter series undermine Christianity through their message of pagan magic miss the point, the perverse conclusion that is unavoidable here: You want to enjoy the pagan dream of pleasurable life without paying the price of melancholic sadness for it? Choose Christianity!