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09-28-2010, 11:06 PM | #1 |
Pile O'Bones
Join Date: Jul 2010
Posts: 13
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The music of the Ainur
When I was reading the Silmarillion for the second time, it suddenly struck that Tolkien did a pretty good job foreshadowing the events to come with his descriptions of the various themes of Eru, Melkor, and the Ainur.
Some parts I liked in particular: When Iluvatar composed the second(?) theme that was the creation of the elves, it described the music as being full of sorrow and almost mournful (and later on the book described elves as deriving their chief beauty from their sorrow and the ever growing burden of the years). When describing the third(?) theme(men), the music was described as the vain, endless braying of trumpets in what was almost a cacaphony, and though the theme did have a kind of rhythm of its own, it seemed that it took the most triumphant notes of the second theme(the elves) and wove it into its own. This might indicate the part the elf friends played in helping the elves stand firm against Morgoth, and maybe they "wove" some of the sorrow into their own theme too, think about Hurin and his sacrifice. Anyone else see any new depth or interesting details in later reads? |
09-29-2010, 03:11 PM | #2 | |||
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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Nice topic... let me just say something before we start about things we perceive in the Music...
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Speaking of that, I have never been entirely sure about identifying the Second theme with something concrete. There are several possible theories occuring to me right now, not so much specific but rather metaphorical... I think if I was to go with the most basic theory I always had, it was sort of that the original theme was just "unrefined", before the strife between Valar and Melkor changed it - uncorrupted, but still "unproven", too, not enrichened by anything of the Valar's own invention. The second theme, thus, was the way the world was after it came to being, and before there was the third actor - the Children of Ilúvatar - to change it. Sort of 1. Eru (basic idea, which is given forth to be enrichened => attempt to do that => first strife), 2. Valar (the world as it would be without the Children => Melkor still wins) 3. Children (finally the history of Arda as we know it and possibly some eschatological hints about the role of the Children in the battle against Morgoth).
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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10-01-2010, 05:48 AM | #3 |
Pile O'Bones
Join Date: Jul 2010
Posts: 13
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That's an interesting interpretation, I'll have to look at the book, but you may be right.
One thing though, you say: "2. Valar (the world as it would be without the Children => Melkor still wins)" The Valar bested Morgoth in every direct conflict because of their superior numbers and because he spent his spirit in strengthening and corrupting his servants, and also, the Valar were always afraid to strike(except that first time) for fear of hurting the children when they rent the earth. So it seems to me that the Valar would have triumphed in the end, and probably the sooner, if the children had never been. Especially since somewhere in the book it says something like: "but Morgoths lies were like seeds that bore dark fruit, even to the end of time". Which of course refers to him being basically the source of evil in Arda, so if the children had never been, one of his primary tools would never have existed. |
10-01-2010, 06:58 AM | #4 | |
A Voice That Gainsayeth
Join Date: Nov 2006
Location: In that far land beyond the Sea
Posts: 7,431
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"Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories |
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