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08-30-2006, 10:37 AM | #1 |
Doubting Dwimmerlaik
Join Date: Dec 2004
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LotR3-RotK-Seq02
"Eppur si muove" ("And yet it does move") - attributed to Galileo Galile.
Aragorn, Gandalf, Gimli and Legolas accompany the Rohirrim, or at least Théoden and Éomer, through the Fangorn Forest Traveling Road Show. One must assume that they are riding through trees that previously weren’t there, as I can’t recall the Uruks marching towards Helm’s Deep through a forest. The trees therein are twisted and gnarled; just what one would expect of Fangorn. An overview shot shows that the trees end at the Rim of Isengard. We see the battered remains of Saruman’s fortress in the light of day as the Riders approach what remains of the gate of Isengard. Merry and Pippin are just where we’d left them, amidst the spoils of armies enjoying a bit of flotsam and jetsam. Smoking! Hammer and tongs! What would Ofcom think about that? Anyway, we learn that these two hobbits are back to their Shire selves, laughing and bragging about sloth. They see and then greet their friends with a bit of brag and bravado. Gimli’s salivating over salted pork makes one wonder what poor provender was to be had at Helm’s Deep. Cram? The party wades the waters of Orthanc while Gandalf is greeted by Treebeard. We learn that Gandalf is young in comparison, and that Treebeard is no match for the wizard closeted within Orthanc. Gandalf recommends caution, and Gimli wants a head (“I wanna be like Aragorn!”). In PJ’s version it’s not the voice of Saruman that Gandalf fears (not that, as the White, he did) but that it’s the silence of Saruman that gives him the willies. We need Saruman? Gandalf the weak and worried? As Bêthberry would say, “Bah!” The Grey Pilgrim seems to have much to unsay since his last visit, when he considered more his own counsel than that of the silver-tongued Saruman’s. Must have left his larger-sized boots back in Moria. A voice is heard, and we know that Saruman has come. Saruman, straight from the books, sues for peace with King Théoden. Though I love the words uttered, and the actors do a fine job, I think that the scene would benefit if Bernard Hill were to hesitate before answering - a dramatic pause to enhance the gibbets. Aragorn looks on as Théoden answers, almost as if he is above such mortals, and awaits Saruman’s reply. Also note that the score when Théoden talks is a little too ‘tense.’ It’s not like the King is going to shoot a fireball from his sword or something. For once, the music does not enhance the scene. Saruman, wordsmith that he is, can only answer King Théoden with “Dotard.” Wow! “Rohirrim, retreat at once to Dunharrow! All is lost. Build a pyre for me and my sister-son. He called me a dotard...I think that I’m going to swoon.” The next words from the Voice are silly and seem to have been thrown in to make RotK closer to the text or something. Note that the overview shots show that Saruman is alone on the tower top. Anyone spot a staircase? Gandalf starts begging for information, and Saruman brings forth the Google-stone, sometimes referred to as a palantir. Note that, if it functions as it did in FotR, then Sauron gets an Eye-full as Saruman holds it aloft. Anyway, Saruman starts blathering about festerings only seen by the Eye, and I’m lost. His ramblings are without information, telling me (and hopefully Gandalf) nothing that we don’t already know. Gandalf, either getting some premonition or feeling the need to be a little closer to his former supervisor, moves Shadowfax a few steps towards the tower and, consequently, further away from his less then magical companions. Saruman spouts some scorn at ‘Gorn, who seems to have a surfer ‘whatever!’ expression on his face. It’s almost like Viggo is thinking, “when will that old man shut up? I want to get back to either a Liv or action scene.” Rambling yet more, Saruman picks more bones with Gandalf, stating that Gandalf does not hesitate to sacrifice those whom he loves, just like we saw on the Bridge at Khazad-dûm. Saruman professes knowledge of, seemingly, Frodo, and one would think that if Saruman knows about Frodo’s quest, then so does Sauron. Or not. Gimli, like me, has heard enough and suggests that someone “stick an arrow in his gob.” Gob is an interesting word. Does it mean ‘mouth?’ Gandalf begs, yet again, for Saruman to come down. How codependent is the former Grey Pilgrim? Saruman abuses him, and he still wants a pat on the head. Maybe the person directing the scene got it wrong; PJ wanted for Gandalf to say, “Jump!” not, “Come down.” Finally Saruman has had enough and shoots a fireball from his staff at Gandalf. As I’ve stated previously, what a handy spell to have in hand if, say, a bunch of creatures composed of wood were to show up at your door. But Gandalf is unscathed; wrestling with Balrogs makes one a little resistant to flame. If only his spirit were as fireproof. Gandalf breaks Saruman’s staff, which we could have done five minutes ago, but… Who’s this? All of that yelling has woken poor Grima, who must have taken the elevator/lift to the top. Théoden spots his old counselor, and asks him to come down. How anyone sees Grima up there is a mystery. Anyway, Saruman will not let his new companion go easily, and finally answers Théoden in fashion. The King is more wounded by these new words, yet still asks for Grima to leave the old coot. Saruman will have some victory here, however small, and so slaps down poor Grima like he’s been mentally slapping poor Gandalf. That was heavy-handed, as the cur drops like a stone. It’s a good thing that Saruman only hit Gandalf the Grey with the force of his staff in FotR. Did my DVD just skip or did Gandalf just repeat himself? Wonderful dialogue; so much so that we have to repeat it. “Please, oh pretty please Saruman, please tell me what you know.” Saruman, committing the oft-cited Pjism, tells Gandalf to remove his guard then Saruman will spill the beans. This makes no sense, as to me there is no reason for Saruman to leave – and if the Ents really wanted to kill the Treeslayer, well, they and the one-stone one-kill hobbits had plenty of chances. Grima, discovers that, in the few days that he’s been with Saruman that he’s a lousy roommate, and so decides to ventilate him. Gandalf, seeing the other maia being stabbed (great eyesight that, as Grima is behind Saruman, and even if Saruman stood on the very edge of the tower, you’d still have a hard time understanding what was happening), makes some kind of face that almost seems ‘happy.’ Question: is Saruman suddenly mortal due to the loss of his staff? Legolas, that crusader for justice, takes it upon himself to kill Grima for stabbing Saruman. And his arrow, of course, is lethal. It would have been nice to see such bowmanship when an Uruk ran towards the Helm’s Deep wall with a magical torch, but I guess that you can’t have everything. If you notice where the arrow hits Grima – just below the heart – you realize that it’s an even more incredible shot as it misses Saruman and hits Grima just behind him. Saruman, being stabbed in the back, now spins then falls Arda-ward. Grima jumping on his back didn’t make him fall; Grima stabbing him also didn’t push him over. Grima being shot and falling backward (no chance, I guess to clutch at anything, like a white wizard standing in front of you), still does nothing, but then, as if to get one last look at the dying Grima ("Et tu, Grima?"), Saruman turns 180 degrees and falls backwards. Spinning as he falls, Saruman lands right on the Spiky Wheel of Much Conjecture (remember those days?). It is assumed, at least by me, that this scene is PJ’s nod to Galileo Galilei – which will fall faster, a destaffed wizard or a magical sphere? Gandalf and those on the ground are unconcerned with the passing of the other wizard. With the except of a hobbit grimace at the thud, no one cares that one once so mighty has, well, fallen. I would have least searched Saruman’s pocketses for change. Or Keys. But Gandalf, having finished with this worry, immediately moves on to his next panic attack. He tells King Théoden to get on the horn and let everyone know that Sauron will attack soon, but where? Gondor? Bree? Moria? Where? Where will the heavy hand of Mordor fall? I think that Gandalf’s fall in Moria jogged his brain a bit. Even if Sauron intended on attacking the Havens, just how would he get there? He would either cross at Osgiliath or march north from the Black Gate, and surely someone - an Ithilien or Galadhrim scout - would see his legions coming. If Gandalf were really concerned, he’d ask Aragorn to take a dive over the Rauros, and have Brego find him below. This, unlike other methods, is the tried and true method of finding the enemy on the march. While we mull that over, Saruman takes an inverted dip on the wheel. Exactly what was that wheel supposed to be for in the first place? And note that the palantir hits a floor, but the wheel with Saruman attached continues to spin, so one must assume that below the wheel there is a hole or opening. Treebeard, looking very CG, does his best at a one-liner, then continues to ramble about trees returning to Isengard. Nothing about the passing of Saruman. A maia dies…whatever. Pippin recovers the palantir, and is not commended for the act. I guess everyone else knew that you were supposed to let such things lie. Etiquette. Gandalf gives him a parting dirty look, one that he should have used with Saruman, but since his fall in Moria, Gandalf has become increasingly fearful and so more apt to pick on the weak (okay, so he did attack the Uruks at Helm’s Deep, but that could have been at Shadowfax’s prompting.). Six horses cross the plains on the way back to Edoras, which is no worse for wear. PJ nixed the warg attack of Meduseld, thankfully. The lovely Éowyn kneels and gives a cup to her uncle and King. The King toasts the dead and dearly departed. Think that he may have forgotten to mention those well-dressed chaps that seemed to have all perished in the defense of men. Where was the burial scene of Haldir? No time for that, but we do have time for a drinking scene. Legolas and Gimli begin to participate in a drinking game after Éomer explains the rules. Gimli takes to it like a hog to mud, and his table manners are pretty porcine and his behavior asinine. Éowyn brings a cup to that other King guy, Aragorn, and makes a pass for his attention/affections. At least her draughts are better than her stews. Again she looks for that sparkle in his eyes; again he walks away in silence. Uncle Théoden states that Aragorn is an honorable man…I’ll have to look that word up in the dictionary to see if there’s anything about killing ambassadors. Théoden, like all men in Eowyn’s life, confuses her more. It’s wasn’t me that saved the day, he says, then King Théoden says something like, “Scratch that.” Éowyn, as the scene ends, appears bewildered. Back to the game: Gimli becomes more and more the buffoon and it’s over the top stupid as he loses to the Elf, who feels almost no affect from the alcohol. Merry and Pippin rescue us with a song and dance on a tabletop. Pippin comes up short when he looks at Gandalf. Something is afoot, I guess, and soon we’ll learn what that is. Aragorn and Gandalf discuss Frodo. It’s almost like they searched the newspaper for news. Who else knows (besides Sauron, that is) the status of the Ringbearer? If Gandalf doesn’t know the whereabouts or condition of Frodo, does anyone? Gandalf, getting more anxious as the film goes, is reassured by Aragorn that all is still well. Gandalf feels it in his heart that Frodo is yet uncaught and unconquered. Lucky for Gandalf that Aragorn is there to prop him up. Next week we’ll see if Gandalf heart truly measures Frodo’s condition.
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There is naught that you can do, other than to resist, with hope or without it.
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08-31-2006, 11:17 AM | #2 | ||||||||||||
Ghost Prince of Cardolan
Join Date: Oct 2003
Location: Essex, England
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Regarding these scenes, and Pippin's cheeky look into the stone later on..... Reading the book again, it's not clearly mentioned why gandalf sets off for Minas Tirith. (exept in a quick aside to Pippin on Shadowfax) And obviously book Pippin doesn't see the burning tree in his vision. But PJ has decided to put the whole reason-detre around these scenes being the catalyst for the everyone to move towards Minas Tirith. Not really to my liking, but I can put up with it I suppose...... |
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08-31-2006, 11:48 AM | #3 | |||||
Doubting Dwimmerlaik
Join Date: Dec 2004
Location: Heaven's basement
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Thanks for posting.
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There is naught that you can do, other than to resist, with hope or without it.
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08-31-2006, 12:16 PM | #4 | |||||||||||||||||||||||||||
Wight
Join Date: Mar 2006
Location: England, UK
Posts: 178
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Back at last to the Barrows...I seem to have missed a bit. Anyhow, back to the action:
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It's good how the forest seems a bit ominous. It must be the Huorns. Also, it's very appropriate that the Gondor music theme plays as the title 'The Return Of The King' appears on the screen. Quote:
A bit disappointed that Theoden didn't get to talk to the Hobbits about pipe-weed, but I guess the focus is on the re-union of the Fellowship. Quote:
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Frankly, I just dislike the whole 'Voice Of Saruman' scene. Not really because it's a bad scene, it's just delivered rather flatly, probably because they tried a bit too hard to make it mesh with the situation in the book, and the book lines don't really jive with the different situation in the movie. This strange mix makes for two many unexplained lines, and some very silly actions (the murder of Grima, etc.) Still, at least the film-makers made an effort to go by the books...which is more than can be said for other scenes. Quote:
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And anyway, in the first film, didn't Saruman order Lurtz to bring back the Halflings? Quote:
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All the same, in mere movie terms, it does seem rather strange. Quote:
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And I don't like how the wheel just conveniently appears right where Saruman falls. Did it move there deliberately? Was it also turning against Saruman (awful pun) at the bitter end? ("Et tu, Big Spiky Wheel?") Quote:
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I was pleased to see the reference to the Green Dragon in there. It's even better when you see the Hobbits there at the end of the film...but they're not singing there. A subtle way of showing their growing up. Quote:
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'Dangerous!' cried Gandalf. 'And so am I, very dangerous: more dangerous than anything you will ever meet, unless you are brought alive before the seat of the Dark Lord.' |
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08-31-2006, 02:27 PM | #5 | ||||||||||||
Doubting Dwimmerlaik
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__________________
There is naught that you can do, other than to resist, with hope or without it.
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08-31-2006, 02:30 PM | #6 |
Fading Fëanorion
Join Date: Mar 2006
Location: into the flood again
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I apologise in advance for a very ranty post.
In my mind the Voice of Saruman part of the movies is one of the weakest.
In the appendices the writers say that they had to strip the scene to the bare essentials. You feel this when you watch it. It's the most loveless part of the trilogy. The "let's get this scene done already"-mentality is ever present. But one by one... I wonder that nobody has yet complained about Merry and Pippin welcoming the others. Getting high on pipe-weed??? What were they thinking? No really, what?* I don't understand why they didn't take the greeting from the book. It was funny, too. It wasn't too long. And it wasn't stupid. Interesting to see that Saruman can talk to the others without shouting. Well, he's a wizard, you might say, but how is Théoden able to answer without shouting, then? Théoden not hesitating strips the scene from all its suspense, to me. A lot of depth for both Théoden and Saruman is lost for saving a few seconds of time. The fireball... It not only makes no sense to me, but it looks like a very cheap effect, too. "Saruman, your staff..." ..exploded??? Sigh... what a nice effect would it have been if the staff just cracked along its length and then fell out of his hand. The deaths of Saruman and Gríma had to be dealt with this way or similarly, but it was all too quick. It's sad PJ gave the chief villain of TTT such an unspectacular ending. I think Saruman's death ultimately belongs to the end of TTT. It would have been the natural ending of the second film. Pippin's finding the Palantír then would have to be included in flashback at the beginning of RotK. (by the way, did anybody count how often Isildur cuts off the fingers of Sauron? Or how often the Witch-King stabs Frodo? ) The drinking game... I'm still speechless about it... ...okay, I'm not. What were the writers thinking? They know the Hobbit. And even if it wasn't nonsense from the start, the scene is so horribly out of character (Game over!), it makes you (read: me) almost weep. Only good thing about it: Millions of Tolkien fans can always rightfully complain that the movie makers could have included this or that scene if only they've left out the drinking game. They could have done the Old Forest, Tom Bombadil and the Barrowdowns if only they've left out the drinking game. This just had to be said. Now I feel better. There's actually one thing I like very much and that is Pippin. As soon as he touches the Palantír, he seems to have changed into a proper character. He will have some very nice scenes later in Minas Tirith. Thanks for bearing with me. *Just remembered: In one appendix they say they've told the hobbit actors to suggest things that would make them laugh. I've got a terrible suspicion... |
08-31-2006, 04:16 PM | #7 | |||||
Corpus Cacophonous
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And as regards the much-maligned drinking scene, I must admit that it (along with other generally disdained "film-Gimli-isms") amuses me. The film must cater for those of us (like Essex's kids) who appreciate toilet humour too, you know. Is it that the humour genuinely does not appeal, is it that it is "just not Tolkien" or is it the denigration of Gimli's character? Personally, I have no problem with any of those, but I can understand the last of those reasons better than the others. I do agree that, in the light of Galion's misdemeanors in the Hobbit, it makes no sense that Legolas is immune to the effects of alcohol. Then again, remember that these are Jackson's Elves, not Tolkien's Elves ...
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08-31-2006, 06:39 PM | #8 | |
Ghost Prince of Cardolan
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