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02-25-2005, 03:52 AM | #41 | |||
Illustrious Ulair
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Perhaps Faramir would have used the Palantir. Certainly I don't believe he would ever have used the Ring - because he knew that was Evil. He may have used a Palantir on the other hand - if he hadn't known what had happened to Saruman. Too rushed..
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Everything was an object. If you killed a dwarf you could use it as a weapon it was no different to other large heavy objects." Last edited by davem; 02-25-2005 at 08:17 AM. |
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02-25-2005, 08:50 AM | #42 | ||||
Regal Dwarven Shade
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Perhaps the Valar were given a finite supply of power in order to bring about all the Music and then their task is done. This could mean that it is not given to them to do the same thing twice. It would also explain how the Valar grow weary of the world.
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02-25-2005, 09:50 AM | #43 | |
A Mere Boggart
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I'm not sure I'm comfortable with the Valar being able to render things holy. For Eru to be able to do this would seem right, but to enable a being which can take physical form to do this seems to pose too many potential problems. Would it mean, conversely, that Morgoth could render something divine? Yes, he does make Orcs and other evil or corrupt creatures, but are they the embodiment of evil much as the Two Trees might the embodiment of good? I'm more comfortable with the idea that there is only one source of divinity and that is Eru. Of course, it is possible that the theological structure is different. After all, with a pantheon of lesser gods, and evidence that the Elves revered (worshipped?) other figures than Eru, it could have been a more pantheistic world. Yet this still does not 'fit' with events such as the wrongdoing of Saruman in breaking the Light; surely his actions could have been interpreted as trying to break down that essential 'whole', or all-encompassing divinity held by Eru.
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02-25-2005, 10:34 AM | #44 | |||
Regal Dwarven Shade
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I'm afraid my reading of the quotes I cited above won't allow me to accept that Eru is present in any way that the Children can perceive. They can see the light, so I just don't think that light can be anything other than a created thing. Quote:
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02-25-2005, 12:32 PM | #45 | ||
A Mere Boggart
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I think I need a theologian to draw up the exact links with Christian ideas here! Quote:
Maybe it is that anything less than Eru can never be as divine or pure. And that would include such items as Palantiri. If so, then there is a message in the creation of and the lust for the Silmarils, almost as if they are 'graven images'; and they do, after all, contain the Light within and as such are representations of it. But I think I need some Christian input here before I draw any more parallels!
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02-25-2005, 01:55 PM | #46 |
Illustrious Ulair
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I don't see the Light as being Eru Himself but as proceeding from Him. It is not His manifestation in Arda but rather his 'power' manifesting there. The Light is the Light which the Secret Fire produces. So, I don't have a problem with the Light being visible to the Eruhini, as it is not the Secret Fire itself which would be visible to them, only the 'effect' of it.
This would show that Saruman has misunderstood, or lost touch with, the truth. The Light may be broken, but not the Secret Fire itself. Saruman seems to have conflated the two. Hence, he has 'left the path of Wisdom'. In the same way, Sauron could (mis)use the Light, as could Feanor, because none of them would actually be (mis)using the Secret Fire itself, only the 'effect' it produces... I know I'm 'qualifying' my earlier statements in saying this. I can only say that Kuruharan's points have forced my to think more deeply about this question, for which I'm grateful. Also I would refer my fellow Downers to my new sig..... |
02-25-2005, 02:08 PM | #47 |
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I think it is oversimplistic to think of the fires of Orodruin as the Secret Fire. As with most, it would seem apparent that the Secret Fire is not to found in something so mundane as a volcano. (Let's face it, Melkor couldn't find it in the Void, could he?)
And while bringing this up does stray a bit from the topic (ie. the Chapter) at hand, the original question that brought it up comes back to my mind: What was it about Orodruin that made it so dangerous to things like Rings and Palantiri? In the case of the Ring, the fact that it was the place of its creation would seem to be reason enough. A sort of a full-circle effect. It was made here, so it can be broken here. But why was Orodruin selected as the place of the Ring's in the first place? Sauron seems to have definitely had a reason. Furthermore, how does it figure in as being destructive to the Palantiri? So here's my hypothesis: In Morgoth's Ring, in the part that gave the book it's title, it tells of how Melkor suffused his power into the hroa of Arda, how Arda became his Ring, prefiguring Sauron's later act with the Ring. In this part, it says that there is a Melkor-element in all the physical matter of Arda, but that it is there in varying degrees. Silver and water are singled out as being almost unstained by the Melkor-element, whereas gold seems to have been much more heavily concentrated with it, hence Sauron's use of gold to create the One Ring. Perhaps the Melkor-element in Arda is not only stronger in certain elements, but also in certain places. My theory is that Orodruin was home to a very strong concentration of Melkor-element, which made it very destructive (hence the ability to destroy things otherwise close to unbreakable, eg. the Palantiri), as well as logical place for Sauron to seek out. After all, if he deliberately chose gold as the material for the Ring because of its strong Melkor-element, then it surely stands to reason that he would chose to forge it in a place with a strong Melkor-element.
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02-25-2005, 04:33 PM | #48 | |||||||
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Lalwendė
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02-25-2005, 05:08 PM | #49 | ||||||||||
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good and ill
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For example, an Old Testament illustration: the Tablernacle was holy, but it was not divine; God , who indwelt it, is divine. Everything in the Hebrew Tabernacle was holy-- but the Tabernacle was not in itself divine. It was a place set apart so that God could manifest himself there in the Holy of Holies. In other words the Tabernacle was dedicated to the worship of God, and ONLY the worship of God. You didn't use it for anything else. So it was holy; set apart; dedicated. And (in the course of that process) everything that was going to be used there had to be pure or purified (simply because God said so.) He ordered that the utensils would be made of pure metals, the flours and oils were to be untainted, the incense was of a specified mixture and none other, the priests wore special dedicated linens which they donned on entry and removed on departure, In this way the entire Tabernacle was set apart from common useage and dedicated (always and only) to the worship of God. Quote:
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...down to the water to see the elves dance and sing upon the midsummer's eve. Last edited by mark12_30; 02-25-2005 at 05:15 PM. |
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02-27-2005, 04:18 AM | #50 |
Illustrious Ulair
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I suppose in a way I 've been running with some ideas, not necessarily because I'm committed to them, but because I got caught up in exploring them. I'm not sure we've strayed too far from the events of this chapter, though, because I feel that the Palantiri, in their effect & in their nature (as well as in what is 'fatal' to them) are so similar.
One point I would like to throw in, though, is that the presence of Eru, the clearest manifestation of his power, is seen in the events at the Sammath Naur, where the Fires well up from the heart of the earth, the very place where Eru sent the Secret Fire into Arda.... |
02-27-2005, 01:27 PM | #51 | |
Regal Dwarven Shade
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I find that a bit much to swallow.
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02-27-2005, 01:41 PM | #52 | |
Illustrious Ulair
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03-10-2005, 12:10 AM | #53 | |||
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Good in Evil and Pippin's Sixth Sense
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The thing I find most interesting is not speculating on what such a tool as the palantir might make someone do, but in the way that it is used and/or viewed by the individual user. Sauron, who has great mental power, has very short sight, and his focus is mainly himself and what the palantir can do to heighten his own power over others (for the greater glory of himself alone). Saruman, whose proximate cause of fall to darkness is murky, but perhaps attributable in part to his dabblings with the palantir, seemed to begin with mere curiosity, but this curiosity was accompanied by greed, thus he hoards the palantir to himself and a new fear is born that it might be discovered and taken away. Personally, I think this weakness was inherent in Saruman's character, and just as Smeagol began as "a mean sort of thief" in Tolkien's words, even before his path crossed that of the One Ring, so Saruman fulfills his character's weakness when the temptation presents itself to him. Pippin, on the third hand (why do I have three hands? The world may never know!), is driven by a nebulous 'urge' to look into the Stone. Does this urge come from its link to Sauron (active evil), or the nature of the Palantir itself (addictive-amplifying a personal weakness), or is it the Hand of Eru working through our hero Pippin (divine will)? I'm inclined to think the third thing, because I'm firmly convinced that Pippin is God's Fool, or perhaps like an avatar of Eru that simply loses himself from time to time (those curious 'urges'!) and acts beyond logic and reason and enters the realm of serendipitous, unforeseeable fortune. Of course, someone let me know if you think I'm just too Pippin-centric about this whole episode... Cheers! Lyta
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09-24-2018, 09:29 AM | #54 |
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In contrast to the majority of the posts on this thread, which got swept up into speculation about the palantiri, I'm going to consider more how Tolkien places this chapter, so that after a period of resolution, we get the introduction of new excitements. I don't think there is a point anywhere in Book III where I am less interested in leaving the thread of this side of the story and going back to Frodo! Who cares about Frodo? I want more Gandalf, more Aragorn and his testy rights to mysterious stones, more about the stones themselves, more Pippin, more Merry!
And yet, we get a cliffhanger. The Nazgul are streaming over Rohan toward Isengard, Gandalf is madly dashing to Minas Tirith, no one knows what Sauron knows. It's a fantastic chapter pointing the plot forward. I didn't mention it last chapter, but I should have: Wormtongue throwing the Orthanc-stone out the window is one of my least favourite moments in the books. If anything feels just a little too coincidental, that's the moment. I bring that up here because, by contrast, the action in this chapter fits together perfectly. It may be a narrow escape for Pippin--even divine providence, as a younger me once remarked--but it is also completely in accord with his character, and everything that follows clatters after it like dominoes. Not given much emphasis in the thread above, though it really struck me during this reread, is the fact that Pippin's encounter here is the only direct experience of Sauron that we get as readers in the whole book--and Pippin is the only hobbit that actually faces the great enemy. It's simultaneously a crime and a great relief that the change in the movies of Sauron to a great eyeball means that this scene is rendered unfilmable in a book-true fashion, because I find it to be a passage that grows in horror for me each time I read it, and whether that's just imagination or the cumulative effect of knowing more and more who Sauron is (say, pondering the Akallabeth or the Lay of Leithian) really doesn't matter so much as the fact that I truly enjoy reaching this scene.
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09-24-2018, 08:48 PM | #55 | |
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