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02-02-2007, 08:35 PM | #1 |
Late Istar
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Silmarillion - Chapter 07 - Of the Silmarils and the Unrest of the Noldor
This is, in a sense, the final ‘preparatory’ chapter of The Silmarillion. With Feanor’s making of the Silmarils and the sowing of discontent among the Noldor, the stage is set for the great drama that follows. As such a chapter, ‘Of the Silmarils and the Unrest of the Noldor’ is fairly short and not high on action (much like the two preceding chapters).
In this chapter we are finally introduced to the title ‘characters’ of the book. We are, after all, reading a story called the ‘Silmarillion’, ‘Of the Silmarils’; but until now no indication has been given of what the Silmarils are. Here, though, their importance is emphasized right away; we are told that no impure flesh may touch them lest it be burnt; Varda hallows them; Mandos foretells that the fate of Arda is bound up with them. I called the Silmarils ‘characters’, and in a sense I think that they do have that function in the book. But their role as such is not as clear, I think, as the role of the Ring as a character in LotR. The Silmarils and the Ring are interesting to compare; both are objects of great power, the desire for which causes people to commit misdeeds. But it strikes me that the Silmarils are much more passive. Whereas the Ring has desires of its own and has real agential force in bringing those desires about, the Silmarils appear to have no will, only power. Does anyone else see a connection or contrast between the Silmarils and the Ring? The early hatred between Feanor and Melkor is shown in this chapter. I find it interesting that his enmity was apparently mutual from the outset. Feanor is one of the few Noldor who never listens to Melkor’s counsels, and indeed shuts his door in the face of the most powerful ‘dweller in Ea’. Melkor similarly seems to have an innate hatred for Feanor. Disaster looms over the seemingly perfect and paradisial land of Aman in this chapter. How does this come to happen? One agent of the evil going on here is obviously Melkor, who is largely responsible for the discontent among the Noldor. It seems that another source of strife is the tragedy of Miriel’s death, which sets the stage for the conflict between Feanor and his half-brothers. Is Feanor himself a third source of the strife? In the previous chapter’s discussion, I noted that I often misread the text as saying that ‘the Secret Fire’ was kindled in Feanor. It strikes me that perhaps this was a fortuitous mistake and that Feanor was somehow endowed with his own creative powers, for good or for evil, beyond what was normally given to the Children of Iluvatar. The textual history of this chapter is rather simple; it evolved through the successive rewrites of the Quenta Silmarillion, beginning with the ‘Sketch of the Mythology’. It was part of the chapter ‘Of the Silmarils and the Darkening of Valinor’ until the 1950s revisions, when that chapter was expanded and split. It’s worth noting that the details and subtleties of the Noldor’s unrest developed gradually. For example, in the earliest ‘Lost Tales’ mythology, the House of Finwe had not yet been invented, so the whole element of tension between Feanor and his brothers is absent. Additional readings: HoMe I – ‘The Coming of the Elves’ (for the first account of the making of the Silmarils) and ‘The Theft of Melko’ (for the unrest of the Noldor) HoMe IV and V – the ‘Sketch of the Mythology’, ‘Quenta Noldorinwa’, and 1937 ‘Quenta Silmarillion’ contain successive stages of the chapter. HoMe X – contains post-LotR revisions HoMe XII – ‘The Shibboleth of Feanor’ contains some late thoughts on the strife between Feanor and Fingolfin and tells how all this drama affected Quenya phonology. |
02-06-2007, 03:54 PM | #2 |
Wight
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An interesting point is that it's the first chapter where there is any substantial dialog between the Elves. Previously, all we've really had was a few quotes from Finwe and Miriel, and a good chunk of Aule/Yavanna/Manwe dialog. Here we begin to move from the more detached "history book" style into something approaching normal storytelling.
The hint of "some shadow of foreknowledge" attributed to Feanor is interesting. We now know that something bad is just around the corner. Fingolfin's forgiving nature ("I will release my brother") is also of interest to me, as - even though it's more explicit in a later chapter - it sets the stage for what's going to happen shortly.
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Then one appeared among us, in our own form visible, but greater and more beautiful; and he said that he had come out of pity. |
02-06-2007, 06:21 PM | #3 | ||
Animated Skeleton
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This, and some things in subsequent chapters, made me think of Thorin Oakenshield. There seems to be a reoccurring warning in the tales about the danger and harm that can come from an inappropriate attachment to things. Last edited by Texadan; 02-06-2007 at 07:25 PM. |
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02-06-2007, 07:23 PM | #4 |
Animated Skeleton
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I meant to ask in my last post but forgot: does anyone have a real idea of the size of the Silmarils? I originally thought they were something along the size of a palantír because of the references to the light within them. But if Fëanor "would wear them, blazing on his brow" that's not possible. The size of a really large diamond perhaps?
Edited to fix a typo. Last edited by Texadan; 02-07-2007 at 05:40 PM. |
02-07-2007, 01:02 PM | #5 |
Wight
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Well Beren was able to hold one pretty much enclosed in his hand, so they're not particularly enormous.
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Then one appeared among us, in our own form visible, but greater and more beautiful; and he said that he had come out of pity. |
02-08-2007, 01:25 PM | #6 |
Blithe Spirit
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Texadan makes a really good point. I've often wondered about the size of the Silmarils.
To go off on a bit of a tangent - I don't know if any of you have ever watched the original 1933 King Kong, but in that film the ape really varies in size from scene to scene, in what seems a deliberately symbolic move. I always had a similar feeling with the Simarils. Depending on what episode I am reading, their size varies in my mind's eye. In the Beren/Luthien episode, I imagine the Silmaril they regain as about the size of a large pomegranate or even a small cantaloupe melon...but when Feanor wears all three on his brow, they cannot be bigger than plums. Does anyone else have that feeling of the Silmarils changing in size?
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02-08-2007, 02:21 PM | #7 | |
Late Istar
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I've always imagined the Silmarils to be fairly large - just small enough for Beren to enclose one in has hand, but not much smaller. It does sometimes seem that their size is different in different scenes (something I've also noticed in King Kong). But to me this suggests that people's perceptions of them may change, not the Silmarils themselves. A bit like the Ring, it seems to me - though, again, the Silmarils come across (to me at least) as much more passive.
It strikes me that the weight of the Silmarils need not have had the same proportionality to their size as with gems we are familiar with. Indeed, their apparent weight may have fluctuated as well. So I see no particular problem with Feanor wearing them even if they were fairly big. mhagain wrote: Quote:
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02-08-2007, 05:53 PM | #8 |
Animated Skeleton
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You know, I just had a flash memory of the galaxy in "Men in Black". I suppose the Silmarils could have an appearance something like that, small in appearance but when looked into encompassing a lot of space.
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02-09-2007, 08:15 PM | #9 | |
Animated Skeleton
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02-13-2007, 11:52 AM | #10 | ||
Relic of Wandering Days
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Aiwendil, I too have made the connection between Feanor and the imperishable flame. It is also worth noting that both Feanor and Melkor are described in terms of flame or fire. While Melkor seems to be obsessed with the lack of it, Feanor possibly has too much? At any rate, I do wonder is this might have something to do with Melkor's antipathy toward the elf. It is also surprising how the art of the elves appears to surpass that of the Valar. I believe it is mentioned in this chapter or the last, regarding the quality of gems created. But alas, I have not my book. And Feanor in particular seems to blurr the distinction between, creator and created, and challange the role of supremacy. ************ Here is the quote I refered to. Quote:
Last edited by Hilde Bracegirdle; 02-17-2007 at 07:09 PM. Reason: added quote |
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02-13-2007, 02:56 PM | #11 |
Wight
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Very interesting, Hilde. Just thinking, it says somewhere (1951 Letter?) that the Elves role was to make/devise/create, and here we see Feanor as being the ultimate fulfilment of that role.
Another thought: In Arda Marred, is it possible that everything made/devised/created is - in the longer run - doomed to cause trouble of some kind? I would certainly think so. From that perspective, the whole saga of the Silmarils can function almost as a "morality tale". Does one avoid doing anything, in the knowledge that bad will eventually come of it (as my old Gaffer would say)? Or does one accept the nature of Arda Marred and do one's best (or at least attempt to) in spite of it? Moral dilemma city!!! Yet another thought: Aman is often said to be representative of "Arda Unmarred". Does that make my "morality tale" hypothesis invalid, or is Aman - perhaps - not as "Unmarred" as it woulk like to be? Or did an element of the "Marring" creep in while Melkor was there? All very interesting.
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Then one appeared among us, in our own form visible, but greater and more beautiful; and he said that he had come out of pity. |
02-14-2007, 09:14 PM | #12 |
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I think perhaps the marring of Aman is in the Valar themselves. It seems to me that they reached a perceived perfection and crouched there. When the Children of Ilúvatar awoke did the Valar try to carry blessings and some of that perfection to the eastern continent? No, they called the elves to them and their perfection. And what did they do when the rest of the world became suddenly very imperfect? They built mountains and walled themselves in.
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02-15-2007, 11:38 AM | #13 | |
Relic of Wandering Days
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Perhaps the marring crept into Aman with both Melkor and the elves. The agent may very well be linked to pride inherant in both. Texadan, I wish I could respond to your last post, as I don’t think that the Valar intended to totally ignore the rest of Arda. I need to bring my book to work more often, so I can back myself up! |
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02-17-2007, 06:39 PM | #14 | ||||||
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*********************** But back to the Silmarils! This is the quote I was thinking of earlier. Quote:
Last edited by Hilde Bracegirdle; 02-17-2007 at 07:03 PM. |
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02-18-2007, 12:35 PM | #15 | ||
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"May the wicked become good. May the good obtain peace. May the peaceful be freed from bonds. May the freed set others free." |
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02-18-2007, 10:44 PM | #16 | ||
Late Istar
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Texadan wrote:
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02-19-2007, 01:11 AM | #17 | |||
Eagle of the Star
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It can only be a speculation since this alternative didn't happen. However, to sustain this strategy, Tolkien also said about Manwe (same text, bold emphasis added):
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02-19-2007, 02:52 AM | #18 |
Pittodrie Poltergeist
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As I've said before making Middle Earth 'blissful' would have made the lot of mortals unhappy because it would have the same effect as them going to the undying lands.
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02-19-2007, 02:09 PM | #19 | |||||
Late Istar
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Raynor wrote, quoting Myths Transformed:
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As for whether the bliss of Aman could have been extended over all of Arda, we can only make uninformed guesses. However, it is worth remembering the Second Prophecy of Mandos in this connection (from QS in HoMe V): Quote:
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02-19-2007, 09:47 PM | #20 | |
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02-20-2007, 12:44 AM | #21 | |||
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"May the wicked become good. May the good obtain peace. May the peaceful be freed from bonds. May the freed set others free." |
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