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10-03-2002, 12:52 PM | #41 | ||
Wight
Join Date: Apr 2002
Posts: 228
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elfling, welcome to the Downs, enjoy being dead! I agreed with your post.
Child of the Seventh Age, I do find something in these books, so that when you say 'England?' I say, 'yes.' I guess what I want to find out is what made JRRT want to make an English body of myth and legend-- what about the land and/or the people near him did he want to express? I'll have to think about the points of comparison you provided. Tolkien's use of the Ocean and crossing the sea do seem to me to be tied closely to this purpose of making source-myths for England. More or less quoting my post from the ‘...in the Shire’ thread: When I read RotK, I saw Theoden's charge as if a vision burned through the pages of the book – in contrast to the sections concerning Frodo or any of the hobbits where the narration's standing on the ground and there's a strong sense that one is in the landscape. I don't know where I'm standing on the fields of Pelannor-- mainly I'm seeing and hearing a battlesong and I seem to be floating, seeing and hearing from elsewhere. I know exactly where I'm standing reading Frodo and Sam in Mordor, how it physically feels-- or how it feels in the marsh between midges and neekerbreekers. The one point where I'm physically present in the narration and also seeing a remote vision is on the plains of Rohan, and I can’t see why that should be—still trying to figure that out. It seems those roots you mention, Child are these parts of the story where it seems like a vision has burned through some unknown manuscript I'm holding in my hands. Anyway, my reaction to you saying 'is it specifically English?' is 'Yes! --but in TWO ways: primary experience: what JRRT drew from his life, experiences, and identity and secondary experience: what JRRT drew from the literary sources he loved and studied. (that’s not meant to be a ranking of importance or value). Child, you seem to be interested in the role of that secondary experience: source-influence rather than life-influence. Bethberry, I liked this idea of yours: Quote:
Also, I thank you for your very kind words Child, but I must point out that this excellent quote is not from me but from Bill Ferny: Quote:
Bethberry, while I like the tree metaphor, I think Child's on to something with the onion metaphor-- I like your expansion into onion: crying while cutting. I know you didn't mean that metaphorically, Child, but think about it. It's painful to dissect a living thing-- it defends itself with volatile oils! Like those irritable letters and prefaces on allegory and hatred thereof. The onion OBJECTS to being peeled and diced! How to choose between legends for England and love of languages as the 'Basics', I don't know. You're probably right, Bethberry, there's no way to choose one. In conclusion, ‘England’ for me will always be summed up by the strange taste of artificial raspberry in those squares of concentrated dessert jello my mother shared out when I was a child and we spent 3 mos in Nottingham (we didn’t bother rehydrating the jello so it was VERY strongly chemical-raspberry)—I hope they’re still making them, or I can never go back to England. [img]smilies/eek.gif[/img] [ October 03, 2002: Message edited by: Nar ] |
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10-03-2002, 03:02 PM | #42 |
Cryptic Aura
Join Date: May 2002
Posts: 5,996
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*chuckles and wipes eyes all at the same time*
So, the onions have it. [img]smilies/smile.gif[/img] I don't want to it to appear that I was uncharitably questioning Child's style of writing. I questioned the metaphor because it does not fit my way of interpreting Tolkien's origins, since I don't think we can dig down to one final, basic intention, the central point of the onion. It was my way of leading into the point where Child and I differ, that's all, and I am very grateful that I can discuss such differences with her. *curtsies respectfully to her and to all* Who would have thought that talking of England would lead to metaphors drawn from cuisine? [img]smilies/wink.gif[/img] *ducks and runs away before the Brits clobber me*
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10-03-2002, 05:54 PM | #43 | |||
Spirit of the Lonely Star
Join Date: Mar 2002
Posts: 5,133
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Peeling onions and weeping as she does her post.....
Hey, I fell onto something last night that's very interesting. Maybe we're the only ones who make an artificial division between language and legend. Maybe Tolkien saw things differently. He could perceive the whole in a way that a dimwit such as myself could not. As a result, he would never sharply distinguish, and indeed did not want to distinguish, between language and legend. Take a look at this whole string of quotes which suggests that, for Tolkien, linguistics and mythology ran in tandem: Quote:
Quote:
Still another comment linking the two: Quote:
And there's one more, even spookier, example. Tolkien composed his first lexicons as a young man--Quenya was begun in 1915, and Gnomish in 1917. (Is Gnomish Sindarin?) But he did not perceive these as free-standing grammar tools. They had to be co-opted into the legends themselves. They were presented as texts composed by Eriol, the historical figure of the 5th century English mariner who acted as the narrator of the stories. The Gnomish one was also at another time attributed to Rumil the Sage of Tol Eressea. And remember at this time Tol Eressea was interpreted as Britain. In fact, last night, I reviewed BoLT, The Shaping of Middle-earth, and the Lost Road in terms of the "English" framing devices which Tolkien used for the Silm in this "early" period. And this period ran from 1916 through at least 1937. In every single major manuscript of this period--and there are about 9--he used an English narrator to tell the tale. There is a great discusion of this in Tolkien's Legendarium --a chapter by Charles Noad on "The Construction of the Silmarillion". First, there was Eriol the narrator, the 5th century mariner, and from 1925 on, there was Aelfwine the narrator and storyteller, the figure from 10th or 11th century Wessex (Leave it to Tolkien--he keeps changing his mind!). And in this same period of composition, 1916-1937, with only one exception, the country of Britain always appears within the Silm. First, it is identified as Tol Eressea. Later it is separated out and becomes the shattered remnents of Beleriand, an isle sometimes called Leithien. In fact, as late as 1958, Tolkien was still flirting with the concept of the narrator/storyteller as a man of historical English origins. Later on, of course, with the LotR, the narrators become Bilbo and Frodo. But it is no coincidence that they are from the Shire. That means, in Tolkien's eyes, they are from England! Just like the earlier narrators Eriol and Aelfwine. Because the Shire was certainly England to Tolkien. In fact, near the end of this life, Clyde Kilby stayed one summer with Tolkien, and he asked him why the hobbits never appeared in the First or Second Age. Tolkien said they couldn't because hobbits are English and you can't have hobbits before you have the Shire.(By this time, he had discarded England from the Legendarium except in the guise of the Shire.) So the Silm/Legendarium is , on one level, a story told by English storytellers who were all Elf-friends(Eriol, Aelfwin, Bilbo, Frodo), and then retold by an even later English storyteller, Tolkien himself, also certainly an Elf-friend. What's even stranger is if you think of this information in terms of The Lonely Star (or RPG). We have the evolution of the early hobbits occur on the islands that are left from the shattering of Beleriand, the same place that Tolkien claimed was England. Only, of course, we didn't consciously realize this connection when we initially wrote that into the story. (Plays spooky music as the Lonely Star sails away.) [ October 03, 2002: Message edited by: Child of the 7th Age ]
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10-04-2002, 02:22 PM | #44 | |
Itinerant Songster
Join Date: Jan 2002
Location: The Edge of Faerie
Posts: 7,066
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Something never quite sat right with me in terms of Sharon's identification of the "core of the onion" - the most basic element of Tolkien's Legendarium - as primordial Englishness. I do love that Englishness, but that is for reasons I will discuss below. Though I liked Bethberry's idea better, I was not entirely satisfied with the double-core of language/legend, though I do acknowledge it as a central element. I was not, however, able to put my finger on precisely what the problem was; I was left with a gnawing dissatisfaction while bowing to Child's and Bethberry's erudition and quoted evidence. Helen's post went a long way toward helping me to piece together the puzzle. Onward:
Legend and language are indeed intertwined, but they are not at the core (onions have no core, which is probably my major problem with that analogy). There is a deeper root, a tap root, that is the source of all mythic story. Let me illustrate this in my own imaginative life. By genetics I am half Frisian and half Dutch (Most non-Frisians would simply call me 100% Dutch; we Frisians will never concur.). Historical evidence reveals that I have a fraction of French blood on my mother's mother's side. Against all historical evidence, I'm convinced that I have Celtic blood. Nevertheless, I am American by accidents of history, and thus my native language is English. I do not say that my native language is American. This is in part due to education, and more significantly to my early exposure and heavy cognitive and spiritual influence by C.S. Lewis and J.R.R. Tolkien. Whereas Lewis says that his imagination was baptized by George MacDonald, I say that my imagination was baptized by Tolkien (and was communed with Lewis). The reason my imagination could be baptized by Tolkien is because I am an English speaker, and am deeply rooted in all things English. Thus Tolkien's Legendarium, deeply rooted in English language and legend, is the medium par excellence to convey that Something at the tap root, to my imagination. Helen aka Mark_ch#._v#., posting on "that other thread", described a particular kind of desire; it has a name. C.S. Lewis called it "Sennsucht". Corbin Scott Carnell, in Bright Shadow of Reality: C.S. Lewis and the Feeling Intellect, wrote: Quote:
From this tap root that I call Faerie, springs many different trunks of legend and myth, alive with the sap of language spoken by the caretakers of the myths and legends in each tongue. We English speakers need Tolkien and Beowulf. Italians need Dante and Virgil. The Germans need Faust and the Nibelungenlied. And so on. Yet since English has become THE international language, Tolkien's works have spread as far as the language has. And Tolkien's work communicates, at its deepest root, Faerie - that Something that once was, that is now lost, but may against all odds and evidence, be renewed one day. |
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10-04-2002, 04:07 PM | #45 |
Pile O'Bones
Join Date: Sep 2002
Location: Vinyamar, Nevrast
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Hi Child, liked the points you covered in your post.I also think that Tolkiens inspiration is drawn directly from the countryside he knew, lived in and revered so dearly. Specifically, the true essense of the Shire itself is to be found in the deep South West of England. Devon, Somerset, Glastonbury and Wiltshire all have scenery and places - still unspoiled by man - that is pure magical Shire country.
Taking that geographical source one step further east, and you have true Barrow Downs country too, Stone Circles, Henges, Barrow mounds strange and forgotton places, more than a little reminiscent of ME's landcape just East of The Old Forest. Beyond the Downs before the last Ice Age, England herself was utterly linked by a vast land bridge to the Continent of Europe. I dont know where I'm going with this, but I think that the landscape of England and Europe has- even today- a strong undercurrent of Tolkiens Middle Earth/Europe, you just gotta take time to see it ;-)
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10-04-2002, 07:07 PM | #46 | |
Cryptic Aura
Join Date: May 2002
Posts: 5,996
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Quote:
Bethberry
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10-05-2002, 08:37 AM | #47 | |
Visionary Spirit
Join Date: May 2002
Posts: 633
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And now for something completely different.
Begging your pardon that I must needs break character in order to explain how my genealogical background shows that in fact, I am related to myself. England, indeed. [img]smilies/smile.gif[/img] * good-natured smile from one of British descent through relation to William the Conqueror * Below please allow me to quote from a short file I received in e-mail from my father, whose interest in genealogy rivals that of any Hobbit. And when I asked in a phone discussion if his information was mere literary legend, I was told that in fact the information is based on actual history. I plan to question further to find out what sources the following information comes from, but meanwhile, I can't resist sharing this quote from my father: Quote:
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10-05-2002, 08:48 AM | #48 |
Visionary Spirit
Join Date: May 2002
Posts: 633
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Hullo Bethberry,
Fascinating that you'd be discussing parables this week. I'd be very interested and grateful if you could go into further detail. * bows * As for me, I spent part of this week wondering about the possibility of quoting from Tolkien to a group of people who've never read Tolkien's works and seem prejudiced against him, and only revealing that I was quoting Tolkien after the group of people started nodding their heads in agreement with the points the quotes were making. [img]smilies/smile.gif[/img] But then, perhaps the only place where like minds and kindred spirits such as ourselves can gather in a haven of understanding is somewhere like here, the Barrow Downs. Gandalf the Grey [ October 05, 2002: Message edited by: Gandalf_theGrey ] |
10-05-2002, 08:48 AM | #49 |
Itinerant Songster
Join Date: Jan 2002
Location: The Edge of Faerie
Posts: 7,066
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Gandalf (or Gandolf if you prefer), I give you good greeting.
:: doffs bard's cap, and replaces :: Those names in your lineage brought a catch to my throat! Wonderful! You have read the Heimskringla, I suppose? This makes for an interesting point. Anyone whose stock comes from Germanic roots, can, with effort, have that same Something communicated to her/him through ANY set of Germanic languages/legends. The Nordic legends and names make me quiver with delight. |
10-05-2002, 09:04 AM | #50 |
Visionary Spirit
Join Date: May 2002
Posts: 633
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Warm return greetings littlemanpoet:
You've crossed my mind this week for the very odd reason (pardon me for breaking character yet again) that "LMP" is one of the variables I catalogued for a database at work! [img]smilies/smile.gif[/img] I regret to say that I have not read the Heimskringla, but I offer thanks for your pointing me in that direction. * bows * Gandaolf the Grey |
10-05-2002, 09:39 AM | #51 |
Spirit of the Lonely Star
Join Date: Mar 2002
Posts: 5,133
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Gandalf--
There's also the Frodo/Frothi (both mean 'the wise one') of Norse legend. Of course, you never know with legend. It may be a flight of fancy, or have roots in reality. Unfortunately, I know of no Gandalf/Gandolf ties, but our knowledge of these things is very limited. Several 13th century sources (Saxo Grammaticus, Snorri Sturluson) say that he was a contemporary of Christ. During his reign, there were no murders or wars or robberies. Gold rings lay untouched in the open. The peace came from Frothi's magic mill which was eternally worked by two female giants grinding out peace and prosperity. But even Frothi could not escape from evil. Concerned about his people, Frothi would never let the giants rest until, in revenge, they ground out an army to kill him. The army they'd created now forced the giants to grind salt. They sailed away together. The giants ground so much salt that the boat capsized. Now they work on at the bottom of the sea, and this is why the sea is salty. So this Frothi, though well intentioned, came to a sad end. sharon [ October 05, 2002: Message edited by: Child of the 7th Age ]
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10-05-2002, 09:49 AM | #52 |
Visionary Spirit
Join Date: May 2002
Posts: 633
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Fascinating, Child of the 7th Age.
The legend you speak of might help to explain such archetypal images as salt tears and frothy seas. [img]smilies/smile.gif[/img] Gandalf the Grey |
10-07-2002, 06:10 PM | #53 |
Cryptic Aura
Join Date: May 2002
Posts: 5,996
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Gandalf,
Descended from Gandalf'sdottir! Amazing. I also would want to explain further the points about parable as a particular form of narrative. The argument might become some what long, however, so with your permission, I will take it to email. Bethberry
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
10-26-2002, 12:52 PM | #54 | |
Cryptic Aura
Join Date: May 2002
Posts: 5,996
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There is an interesting letter Tolkien wrote to his American publishers, the Houghton Mifflin Company, in June 1955 which has not been mentioned here yet. It is letter 165, and is, of course, subject to the usual caveats (or those I would make, at any rate), about how authors construct their origins.
Quote:
Bethberry
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07-05-2004, 10:56 AM | #55 |
Deadnight Chanter
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Bringing it up for the sake of Book I Chapter 03 thread
Up up it goes
And, maybe, it grows.... Or, before people there reach out of the Shire...
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07-06-2004, 12:59 PM | #56 |
Pilgrim Soul
Join Date: May 2004
Location: watching the wonga-wonga birds circle...
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Err this is going back a long way in the thread... but I am a Brit who has travelled faily widely and I think that New Zealand was a great choice for MiddleEarth.... it has the geography and parts are very English... but an England of an earlier age... I wasn't alive in the fifties but it is how you imagine it..... a much safer, friendlier place... I mean I know the midlands and Oxford well through family links and education and teh countryside is the shire... and I live near "Mirkwood" but NZ has it all ........
BTW if we are showing off about ancestors ...Shakespeare is my manyx great-uncle by marriage lol |
07-07-2004, 06:05 AM | #57 |
Blithe Spirit
Join Date: Jan 2003
Posts: 2,779
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I am committing a heinous crime here in my own eyes at least, jumping in here with a post without having thoroughly read all previous posts in the thread. I'm sorry, I will read all later, but I'm very busy at the moment...many of the posts are just terrific, and I want to give them my best attention.
But I wanted to make a couple of points before this thread slipped back down to the second page. I am not English but I have lived here for most of my life and I love this country. But what is it exactly, I wonder, that I love, and is it also what Tolkien loved? Previous posters who talked about the lack of concrete cultural identity in England are right. In fact, you might almost define English identity by its contradictions and confusions. Given this, I don't actually agree that Anglo-Saxon England was 'real' England and that subsequent Englands were not. I don't think it is possible to pause the videotape of history at a certain point and say, yes, this is genuine, this is ideal, all that came before and after is not. And as far as the 'Englishness' of the Shire is concerned, I agree that it is a kind of ideal, a rural idyll - but Tolkien was sharp enough to be very aware of his ideal's limitations. Frodo is often frustrated by the parochial, narrow-minded attitudes he encounters among his fellow hobbits. Perhaps this is true of rural communities everywhere, not just in England. |
07-07-2004, 05:52 PM | #58 |
Registered User
Join Date: Jun 2004
Posts: 92
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Jello has fruit juice now?
One of the times I went to the ER I had with me The Hobbit. The doctor commented that the books help many of Tolkien's opinions of society, and was almost his reaction to it. One holding all the power leads to greed and corruption, no one thinking the little guy can do anything of signifigance. If given the opportunity, many will choose power over common good. If given the chance to get rid of something that can give one power, one has a difficult time getting rid of the power, even if one does not want it. According to the doctor, England held a major signifigance to Tolkien, aside from it just being where he lived. He felt certain ties to his homeland, as I think many of us do to some extent (btw, in my neck of California, I know of one place that looks exactly like many of the places shown in the films, so much it's earie). (The doctor and I talked quite a while! It was a slow night in the ER and I wasn't dying, so it was enjoyable.) However, I do feel a certain sacriledge in the movies being filmed in NZ when it was England Tolkien used for inspiration. Of course, it helps that Old England is similar to what most of us imagine in fantasies, helped along by book images and such that taint out subconscious thoughts! I watched a documentary as well that spoke of how many places were important to Tolkien, and for different reasons. Certain locations of the books reflect those places (it's been a while since I saw the doc). But it did make me wonder how many of the locations of which Tolkien wrote really are real. In Chapter 3, he is so clear about the Hobbits' journey into the wood and the valley and where they were leading up to meeting Tom that I wonder if he was writing about a place he had actually visited. Maybe he was relaxing in a forest and came to something that looked something like what he described. The detail is so incredible that it seems it must be some place real. I took a paper and pen the last time I read that chapter (two days ago) and drew out what he described, and their path, and the directions. Such as something being left showing they went to far this direction, or the shadows came from that direction. Not a single error could I find, and I'm good at finding errors in such complex narration. This particular forest, and the valley, must be real somewhere. |
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