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10-28-2012, 02:39 PM | #26 | |||||||||
Shade of Carn Dûm
Join Date: Apr 2001
Location: Toronto
Posts: 479
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The period would end in May 1937 and begin approximately in 1935 or even earlier. There was only one Rupert the Bear annual during that period, the first, issued for Christmas 1936. There were some earlier Rupert the Bear books, but no annuals. Your so-called facts appear to be as imaginary as your previous mention of The Dandy, and The Beano, which only began publication in late 1937 and 1938 respectively. The extent of Disney fandom is one explanation why perhaps Disney books don’t make it down to second-hand bookshops or stay there very long if they do. I have never suggested that any particular Disney book was “that common”, whatever that means exactly. I have only presented information gathered by others that indicates that the number of Disney books from the period indicates that publishers in Britain were making money from Disney books during the period, or they would have stopped publishing them. Argue all you want that Disney books weren’t, taken one at a time, common during that period. I never claimed that any individual book was common. It is futile to attempt to refute arguments I have never made. What I did note is that Tolkien thought that there was a real danger that illustrations in the American edition of The Hobbit might be influenced by work issued from the Disney studios. I have pointed out that, so far as I can tell, there was no influence on children’s book illustrators from the Disney studios other than that books had begun appearing that were directly based or taken from animated cartoons, predominately from Disney cartoons, including British books. I have suggested that Tolkien might have gotten the idea that American illustrators were being influenced by Disney from seeing some of the Disney books published in Britain at the time or at least knowing about them. That is all. I don’t know whether Tolkien ever saw any Disney book. The evidence suggests to me that he at least knew about them. Refute me by pointing out American children’s book illustration that to some degree resembled Disney but was not in books directly derived from or related to cartoons, if you can. Or refute me by showing that Tolkien definitely did not know about any of the Disney books that had been published in Britain, if you can. But the more I look, the more British Disney I find. That some British newspapers published the American Mickey Mouse strip is further evidence of the presence of Disney in British publications. That The Mickey Mouse Weekly began publication in February 1936 with over 500,000 copies sold indicates the extent of the British appetite for Disney material. Currently The Dandy’s circulation is only about 8,000 and it is to be cancelled. The Beano is supposedly still safe with a circulation of only 38,000, less than ¹∕₁₀ of the initial circulation of The Mickey Mouse Weekly which had soon achieved a circulation of 750,000. I am aware that a weekly publication is not the same as a book. But seeing The Mickey Mouse Weekly in many places and at least knowing that Disney books were available completely explains Tolkien’s fear of influence by Disney on children’s book illustrators, even though it was unfounded in itself. Quote:
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Arguing from generalities to individual preferences is a bad practice. Quote:
Note that I do not claim to know how Tolkien first encountered Disney. The most likely way need not be the way it actually happened. Quote:
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It wasn’t a library. It was a folder containing a manuscript, on a high shelf in Whitburn’s second-hand room, that funny dark place where all sorts of unsaleable things drift. No wonder my dreams were full of dust and anxiety! It must have been fifteen years since I found the thing there: Quenta Eldalien, being the History of the Elves, by John Arthurson – in a manuscript, much as I’ve described it. I took an eager but hasty glance. But I had no time to spare that day, and I could find no one in the shop to answer my enquiries, so I hurried off.This is a reference to the second-hand room in an Oxford bookstore in which Jeremy is browsing without supervision. Some more expensive books would doubtless be in glass cases or behind the counter in the main shop. I doubt that it would be any different in the 30s or before. If your business is selling books which are very unlike one another, you simply must let your customers browse. Quote:
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Last edited by jallanite; 10-28-2012 at 02:59 PM. |
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