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Old 09-21-2010, 08:18 PM   #11
Mister Underhill
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Join Date: Sep 2000
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Quote:
Originally Posted by alatar View Post
If you know me, you know that I have contempt for everything...

But it's funny, when now and then I've gone back to read some of the SbS posts, it takes a moment to realize that that was *me* writing those! I have almost no recollection of working on that project (that was a blurry time with new and little children, living in a zombie stupor from one moment to the next).
I can certainly relate to the zombie stupor. And you have, what, four? My hat is off to you, sir.

Quote:
Originally Posted by alatar View Post
So I don't think that that's it. It's the only movie (trilogy) for which I've done anything like the SbS, and there's other movies that are friends of convenience, so...
This discussion has me reflecting on what it is about the movies that I like to re-watch that draws me back to them, and I find that, for me, it usually has to do with the writers and the actors connecting for a performance that is just joyful, even if the text and the content of the performance isn't exactly joyful. Take Glengarry Glenross. I don't know if you've seen it, but the whole time Alec Baldwin is on screen, you can feel him feeling his oats, just sinking his teeth into the part of a lifetime, and even though his character is absolutely vile, you feel like cheering when his one lone scene is over. I should add a note of caution to any who would consider that a recommendation -- the film is about the petty intrigues and tribulations of a bunch of real-estate salesmen and they say the eff word about five hundred times. But still. That cast. The writing. And that scene. I could name so many others, but I'll spare you.

With LotR, for me, out of the principal cast, the only one who really connects on that level with any consistency is Ian McKellen, and there aren't enough just pure and simple great scenes to make me want to watch and re-watch it.
Quote:
Originally Posted by alatar View Post
With so many little hobbits about, practically *everything* is something we haven't seen yet (or remember seeing).
The memory is the first thing to... something something.
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