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#1 | |
Princess of Skwerlz
Join Date: Jan 2002
Location: where the Sea is eastwards (WtR: 6060 miles)
Posts: 7,500
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This is a chapter full of ominous foreboding, though nothing actually happens. Frodo, Sam and Gollum leave the brief haven of Henneth Annûn, speaking a few last words with Faramir and provided with the gift of walking sticks. Parting with him leaves them with a feeling of loss of light, and the darkness deepens throughout the chapter, going from shade under the trees to night to a dark day. The hobbits experience a feeling of uneasiness, due mostly to Gollum’s air of secrecy. The oppressive stillness is shown by the fact that there is more description and narrative than conversation.
I noticed a few interesting details upon rereading this relatively short chapter; they may give us some ideas for discussion, and perhaps you have noticed others to add to the mix. One concerns Faramir – despite not having slept, he does not look weary. Is there a reason for that? It seems more like an Elven characteristic than a human one. There is also the matter of the walking sticks – Quote:
What do you make of Sam’s dream? It involves his garden, no surprise, but also his pipe – any significance to that? (No, I am not thinking in Freudian terms! ![]() Some things are told, yet not explained – what causes the rumbling they hear and feel? More Oliphaunts? Mount Doom? Drums? At the very end of the chapter there is a glimpse of light that stands out in all this darkness – the stone king’s head, with its live crown. Yet the hope it gives (“They cannot conquer forever!” ) lasts only briefly before darkness returns. (This image seems to be etched into the readers’ imaginations, for it was one much discussed before the movie was released.) Is this a chapter you read through quickly, impatiently, to get to the action later on? Do you savour the descriptions? What feeling do you get when you read it?
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'Mercy!' cried Gandalf. 'If the giving of information is to be the cure of your inquisitiveness, I shall spend all the rest of my days in answering you. What more do you want to know?' 'The whole history of Middle-earth...' |
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#2 | ||
Dead Serious
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This doesn't preclude the fact that there ARE good parts to the chapter. The hopeful image of the fallen king's head is one of the parts that really sticks with me. Quote:
Of course, it could just be that being a Ranger has given him a lot of practice at going without sleep, and he is sufficiently skilled to hide his fatigue when necessary. At times to inspire courage in his men, maybe. Or possibly so as not to show signs of weakness to his enemies, be they Gondorians or Orks. I can easily see a young Faramir pretending not to be tired so as to impress his father.
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I prefer history, true or feigned.
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#3 | ||||
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Where to start? certainly it seems as if this is a ‘transitional’ chapter, merely intended to get the characters from Henneth Annun to the Mountains. CT points out that Tolkien added in an extra day in this chapter to bring the chronology into line with events on the other side of the Anduin, hence the slow build up of menace in this chapter, with the gradual darkening of the skies & the slow increase of the ‘darkness of Mordor’ spilling over the Mountains. Another example of serendipity.
Another thing he mentions is that the staffs given to the Hobbits by Faramir originally had heads like shepherd’s crooks. One wonders why Tolkien changed his mind about this - perhaps the religious symbolism of the Bishop’s Crozier seemed too blatant? As Esty has pointed out, the ‘virtue’ placed on the staffs is quite interesting - placed by whom? Does this mean the staffs are ‘magical’? Also, what is the significance, if any, of the fact that both Frodo & Sam will lose their staffs by the end of this volume, at the darkest, most desperate point in their story up to then? Is Tolkien using the loss (& in one case the breaking) of the staffs to emphasise the hopelessness of the Hobbits state at that point, implying that the virtue of the staffs may have failed, & that there may be no ‘finding’ or ‘returning’? The most significant incident in this chapter for me used to be the moment at the Cross-roads, but now its something else. As many of you may know, I’m a member of the Tolkien Society, & I’ve been to their annual Oxonmoot weekend in September for the last three years. The culmination of the weekend is Enyalie (sp?), when we visit Tolkien & Edith’s grave. Every year there is a short reading from the book, & at my first visit to Tolkien’s final resting place it was the passage where Frodo & Sam said farewell to Faramir, so this chapter is far from insignificant to me - in fact, it is now one of the most significant in the whole book.... Faramir’s final farewell to Frodo & Sam struck me also this time - Quote:
Whatever, we do see Gollum’s growing malice surfacing: Quote:
Something else caught my attention: Quote:
Then we have Sam’s dream: Quote:
The Garden is overgrown & rank, & is slowly being invaded by thorns & bracken - chaos is reasserting itself, the fragile work of ‘humans’, their struggle to keep the wild in check, is failing. Its interesting that he is looking for his pipe, symbolic of the comforts of home. The ‘garden’ is being absorbed back into unconscious nature, ‘Home’ will at this rate soon be no more.... Finally we encounter the statue of the King (which one?) at the cross-roads. Obviously the head, with it’s single eye, symbolises Sauron. Sauron is the new ‘king’. Yet its interesting that his ‘head’ stands on the body of another - perhaps a symbol of the effect of his power, & by extension the power of the Ring, which takes over the mind (the ‘head’) of the individual, & dominates them....Yet, though the ‘head’ is cast down it regains its crown. This moment for Frodo seems to be for him what Sam’s later glimpse of the single star will be for him - both of them are given an insight into the nature of reality (in Middle-earth at least) - there is high beauty which no Shadow can forever conquer. Yet the ‘light’ of that realisation is taken away almost instantly. As for the Cross-roads, well, cross-roads have always been symbolic places. They are places of choice, places where decisions must be made. In a sense they aare also places ‘outside the world’ - suicides were often buried at Cross-roads, perhaps in the belief that the restless spirit would become confused by the multiple choices. However, I don’t think we can entirely dismiss the Christian symbolism of the Cross here. We have a ‘King’ whose body is broken, & on whose head is a ‘crown’ - not of thorns but of flowers. The King will come again. because, as Frodo says ‘They cannot conquer forever!’ |
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#4 |
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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I was just thinking about the manner of the Hobbits' parting from Faramir, and how similar it was to partings from the Elves.
Certainly it is a lot different to the parting from Galadriel which is extremely elaborate. The earlier parting was almost ceremonial in tone, with gifts, song and even a communion or sacrament of sorts. Though Galadriel never makes the gesture of kissing anyone on the forehead. The parting from Faramir is simple as we might expect on the dangerous and wild edges of Mordor, yet it is also more intimate and has a touching air of finality about it. From here, there is little or no chance that the Hobbits will see another friendly face. The departure from Rivendell is very sombre, in contrast to that from Lothlorien, yet again, it is quite different to the departure from Faramir. It is witnessed by many, and both Elrond and Bilbo make sure to offer words of wisdom and advice. I noted how at every stopping off point the Hobbits seemed to acquire more gifts to help them on their way. Of course, many of these also help with the progress of the story, getting them out of tight spots and so on, but by the end, at Mount Doom, they have very few of these gifts left. The gifts do not burden them, it is the weight of the Ring which is the problem, whether literal or in the mind, and right at the end this is the one 'gift' which Frodo finds impossible to cast aside. He has help from all quarters both in terms of gifts and assistance, yet he throws all aside at that last moment as he cannot cast aside the Ring.
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#5 |
Ghost Prince of Cardolan
Join Date: Jan 2003
Location: Wandering through Middle-Earth (Sadly in Alberta and not ME)
Posts: 612
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I actually like this chapter simlpy because of the crossroads. Probably because it is another one of those unexpected things. You are surprised when Faramir enters the story but afterwards you think its over with surprises because it seems pretty straightforward. Frodo and Sam go through Mordor and the ring is destroyed. You also assume that things will get darker and darker. They do but before that Frodo and Sam arrive at the crossroads and they see that the King has a crown.
It is not just a crown. Its a crown of flowers.Flowers don't only symbolize happiness and good(vs. evil). They are alive opposed to many things that side with evil.The things that ally themselves with evil are often half dead or twisted. These flowers are of course neither of those things. They are also white which symbolizes purity and a new beginning. Thus it gives a message of hope to the reader. I also cherish this moment because it is the last somewhat peaceful minute that Frodo and Sam will share before going through the Morgul vale.
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#6 | |||
Relic of Wandering Days
Join Date: Dec 2002
Location: You'll See Perpetual Change.
Posts: 1,480
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Some very interesting thoughts here! Thanks for sharing them everyone.
Estelyn said Quote:
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On the other hand, this gloom does seem to effect Frodo and Sam, and again mention is made of Frodo sleeping, possibly dreaming but mentioning Gandalf once more. Yes, Faramir appears to have little need of sleep! That does seem elven. Another section that stood out regarding Faramir was this one: Quote:
davem - You brought up some interesting food for thought. I had not noticed that Frodo said goodbye to Sam in the same way as Faramir. It would seem fitting for Frodo to do this before sailing west if it were indeed a Numenorean custom! And I particularly enjoyed the all the thoughts on the crossroads and the king with his crown of flowers. But as for Estelyn’s puzzler about the rumbling, I suspect it may have something to do with the neighbours kicking up there heels there in Minas Morgul! |
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#7 | |
Dead Serious
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Nor do I think this is a recent discovery. Though this thread has not been added to since 2005, the feeling that "wow, I actually really like 'Journey to the Crossroads'" is familiar--a discovery from some point in the intervening years. I think the key here is mood--this chapter is ripe with a sense of looming danger and brooding unease. The moment of lingering light on the head of the king is the crown jewel of this, but it has built since they parted ways with Faramir. What strikes me now about this is the huge mystery of the darkening day. It's a fantastic image, both in the sense of been amazing and of belonging to Fantasy, and I don't think that I've ever fully appreciated it, as someone who first read the books young and just accepted what was there. It's a dramatic and powerful bit of psychological warfare on Sauron's part, showing his immense power and also daunting those who naturally thrive in sunlight. More so than in any past reading, I'm noting the connection in plotnhere between Frodo and Sam experiencing the darkness in Ithilien with everyone in Gondor experiencing the same darkness further west in Book V. It helps evoke the mental sense of Frodo and Sam sneaking in behind enemy lines, unnoticed in the war, but absolutely crucial.
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I prefer history, true or feigned.
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#8 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,359
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Interesting. I always had a liking for this chapter - it might not have been a favourite, but it left a full feeling. It's a rich chapter and I guess I like the flavour. I find most of the Gollum chapters unpleasant despite all the intricacies of relationships and philosophy (kudos to the author - Gollum had to be very real to be so repulsive); they are more of an unavoidable chore during cover to cover rereads. This chapter, as well as Of Herbs And Stewed Rabbit, are the exceptions. Both have so much other warmth and flavour that even Stinker doesn't stick so much. I suppose Gollum has some interesting behaviour in both chapters too, so maybe that is another factor.
I guess we all have our least favourite chapters. But who knows what I'll think of the Gollum stuff in 10 years.
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