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03-21-2005, 03:31 AM | #1 | |||
Princess of Skwerlz
Join Date: Jan 2002
Location: where the Sea is eastwards (WtR: 6060 miles)
Posts: 7,500
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LotR -- Book 4 - Chapter 04 - Of Herbs and Stewed Rabbit
Within the first page of this chapter, Sam, Frodo and Gollum’s location changes very rapidly, from the bleak and barren vicinity of the Black Gate to the more pleasant area of Ithilien. The oppressive influence of Mordor lessens quickly as the red eye of the tower’s light disappears. Not only the hobbits’ hearts, but also the emotional atmosphere of the chapter lightens considerably. The point of view is neutral narration in part and seen through Sam’s eyes for much of the story.
I get the feeling that the two overlap in the description of Ithilien – the naming of so many plants and the vivid description of the scents and sights definitely sound like something a gardener would relate. I love this sentence (which is certainly narrative, since it uses vocabulary we wouldn’t associate with Sam): Quote:
We get a feeling of refuge in this chapter; though Ithilien is no longer a safe place, it seems safer than the lands they’ve travelled through previously. It also offers clean water and nourishment, which is a parallel to previous refuges the hobbits and their fellow Fellowship members have enjoyed. The fact that nourishment is a major plot point in this chapter shows its hobbit-centricity. Another element of refuge is sleep, and we find Frodo sleeping deeply and restfully here. We get a wonderful glimpse of him through Sam’s eyes (with the more elaborate description of the narrator included). The conversations between Sam and Gollum are great favourites with many fans, and book readers were pleased to have them included in the movie. The “taters/Po-ta-toes” are probably the lines most mentioned. They show Gollum in a more sympathetic light and bring humour into the tale. A favourite line of mine: Quote:
Then comes potential danger - discovery and captivity by Faramir’s Rangers. This scene is much less hostile in the book than in the movie, characterized by courtesy on both sides, despite the mutual mistrust of strangers. This passage fills in some story elements, showing a new aspect of the battle of Gondor against Mordor (guerrilla warfare) and connecting Boromir and the Rangers, though not yet in detail. What makes the strongest impression on you – the Oliphaunt/Mûmak, the close look at a fallen foeman, the battle action, or the conversations? I enjoy the bits of humour that we find in this encounter, especially chuckling over the Gondorians’ speculation on the nature of the hobbits: Quote:
There are many interesting questions to ponder and discuss – I look forward to your contributions!
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'Mercy!' cried Gandalf. 'If the giving of information is to be the cure of your inquisitiveness, I shall spend all the rest of my days in answering you. What more do you want to know?' 'The whole history of Middle-earth...' |
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03-21-2005, 11:40 AM | #2 | |||
Laconic Loreman
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I only have a small bit to add, I wonder if that passage when Sam sees that dead Southron on the ground was Tolkien reminiscing...
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I think the importance of Sam in this moment is to counter Mablung and Damrod's conversation earlier... Quote:
Where Sam comes in and acts as the neutral thought. He doesn't know about these Southrons, he doesn't know about Faramir and his rangers. As Estelyn points out Sam is the neutral narrator of this chapter. He doesn't give you the biased thinking of "They must be evil, they are serving Sauron." He gives us the other possibilities of wondering whether these men actually were "truly evil," or were they sort of forced to do it? Because of fear? They were lied to? Wealth? Power?
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03-21-2005, 01:24 PM | #3 | ||||||||
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
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03-21-2005, 03:08 PM | #4 | |
Laconic Loreman
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We do instantly know that these Rangers are good (possibly even better company then some other Gondorians), and I think that is why Frodo and Sam are so "courteous" to them. Frodo's only fear would be if they find out about the Ring, but we don't even get a sense of that. Frodo has escaped "the eye," and is relieved to come upon such an admirable group of men. The movies I think portrayed it as if Frodo and Sam were "captured," which I thought was a wrong way to go about it.
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03-21-2005, 04:58 PM | #5 | |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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I don't think this scene is in the book because Tolkien was a pacifist, & wanted to make out that all war is evil & morally wrong. My understanding is that Tolkien felt that, human nature being what it is, war is most likely inevitable. But he was a man who had seen war first hand & knew what it involved. Perhaps this is one of the things that keeps drawing us back to LotR - for all that its marketed as a 'fantasy' story it confronts us with some pretty harsh facts: like, for instance, while sometimes war is unavoidable (because some things are so precious they have to be preserved & other things so Wrong that they have to be stopped), at the same time war is ugly & real human beings will be hurt, maimed & killed as a consequence. We can't use that fact to avoid our responsibilities & let the Hitlers & Stalins have a free hand, but at the same time we can't dehumanise the 'enemy' to such an extent that we refuse to see that they are human beings like ourselves, with hopes, fears & dreams - just like ourselves.... |
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03-22-2005, 12:26 PM | #6 |
Pilgrim Soul
Join Date: May 2004
Location: watching the wonga-wonga birds circle...
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What struck me particularly from the description of Ithilien, on rereading it yesterday was how medditerranean it sounds. And having also reread the biography yesterday, I don't think he had visited that area at this point ( though I could be mistaken). I know he visited Venice AFTER LOTR was published and he thought it was like his idea of Old Gondor/ Pelargir. If I am right it is amazing how evocative this description is especially given that this was effectively pre-television and even colour film was fairly poor quality.
If this scenery is evoked by no more than thorough research in to the flora of an area then it is remarkable - especially since it is such a loving description of a landscape, fairly different to the typical English "patchwork quilt" of field, wood and hedgerow which always seems so close to Tolkien's heart. More I would say but it will have to wait.
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